3/16/2023 0 Comments Srdx plugin lightroomHinzugefügt und die Lösung in ein flaches Gefäß gegossen. Anschließend wird ein halber Liter kaltes Wasser Wichtig ist, dieīestandteile sorgfältig miteinander zu vermischen, bis eine völlig klareįlüssigkeit entsteht. In dieses Wasser werden dann jeweils 21gĪmmoniumchlorid und Natriumcitratmit eingerührt. Grundieren benötigt, für ein 30 x 40cm großes Papier sind es zwei Liter.įür einen Liter Lösung wird zunächst ein halber Liter demineralisiertes The solution must be strained or filtered through two thicknesses of muslin to free it from small insoluble particles of gelatine.Įin Papier in einer Größe von 21 x 30cm wird ein Liter Lösung zum The whole stirred and gradually heated up to about 40☌ (105° F) until complete solution has taken place. The salt and acid are first dissolved in the water, and then the gelatine is added, and The wash may be accelerated by the use of a wash aid such as Kodak Hypo Clearing Agent or a 20% solution of sodium sulfite.įrom The Photo Miniature #69 Salt Solution Sodium chloride 60 grains Citric acid 120 grains Distilled water 7 ounces Soft gelatine 1/2 ounce Sensitizer Silver nitrate 150 grains Distilled water 4 ounces Expose paper by contact printing with a negative under UV or sunlight. Coat paper with silver solution, and dry thoroughly in the dark.ģ. So – for me – no, it is not about the film….ġ. I like working on the old gear, cleaning and adjusting, repairing, developing, fixing, and wetprinting more than Lightroom and scanning.Īnd – sometimes I like shooting digital, just so you know. I, for me, like playing with old films and cameras, even with their sometimes unpredictable results. I like old rangefinders, old folders and old large format cameras, I like pinhole and DIY. I saw pinhole pics on old paper contact printed as cyanotype. You can use a fully automatic gear and send your films to a develop and scan service.Īnd I saw some hybrid workflows which led me to the question why film was used at all, a digital image would have been more practical. And – this is a small miracle in this world, this is what I love – whatever you do, everyone is welcome in this community. In the analogue world you can be technician, chemist, craftsman, artist, collector and pixelpeeper, perfectionist, enfant terrible, you can play, experiment, be a scientist or become some other species you like. I know, film has a special look, the photos have more soul, the negatives are unique and overall it is more artsy.Īnd I think all those and more arguments are valid. I get frequently asked (especially from my digital shooting foto friends or passing strangers) why I shoot film. (This procedure was published from Rüdiger Hartung (great guy btw) in the facebook group Analoge Fotografie.) Again developing of the highlights in thin (1:10) developer, repeat if needed. If pic isa to dark: In light bleach with 1:5 soluted bleach till the result is good and than stop in water. Second development, you can thin the developer 1:1. (if you do sepia or sulphur toning you do not need the flashing or the second development, the toner does work without these steps) Water Stop, put paper in with pic upside.įlash paper: minimal flash or light. Overexpose the photopaper up to 3 stops (if to dark, overexpose more)ĭevelop fully, paper will be rather dark.īleach. Rotes Blutlaugensalz, 40g/Liter water to bleach Paper developer, normal or thinner than usual Today's release adds Photoshop CS4-CS6 as well as Photoshop Elements 14 and 15 to the list of supported programs.You need to overexpose the paper up to 3 stops, never underexpose. The SRDx plug-in is now available-until the end of October 2017-for both Windows and Mac OS systems at a special launch price of 29 €/$. And so in our minds the logical next step was the development of a version for Windows – this was also due in part to the numerous inquiries that we received from all over the world”, explains Karl-Heinz Zahorsky, CEO of LaserSoft Imaging AG. “The major success of the Mac version surprised and excited even us. The SRDx plug-in seamlessly integrates into both new and already established workflows and often serves as a replacement and/or addition to Photoshop’s correction stamp. It is now time for Windows users to share in the enjoyment of automatically recognized dust and scratches, not to mention the possibilities offered by its powerful manual correction options. SRDx has already established itself with Mac users as the ideal dust and scratch removal tool for Adobe Photoshop. The digital removal of those image defects is as difficult as it is time-consuming. These defects are the same that have already degraded the analog original. Integrated into the Adobe Photoshop tool palette, SRDx substantially accelerates the editing and optimization of images.īoth scanned and digitalized images are often subject to dust and scratches. SRDx is a powerful and intelligent dust and scratch removal tool.
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